About a year ago I wrote about a project to start an experimental video lab. And since then, very little to report.
It started well as we leased the digital switching gear, but ran into trouble when Stephen R Jones became unwell, and as often is the nature of visual music only he was able to prepare his equipment. There’s been plenty of other things to do at work so we took time out. But a year is a year and suddenly there had to be a plan B or the whole deal was off.
One of the things I have learned over the last few years is whenever you reissue old albums, there’s a whole bunch of unfinished business that comes back to life. You have an equal chance that everyone is sweet, or that people are ready with a pump action shotgun. There was some business here as well, in-between these two extremes, but I have to get on with it, so the plan became to get a functioning rig now and sort out who shares the credit later. I don’t have the technical skill to trace that (I’m a middle manager).
By strange coincidence Ant, the Severed Heads ‘mother hen’ for many years, also works in A/V at the university and knows some of the local people who make contemporary video synthesisers. We’re hoping for a catch-up soon, where we can check out the latest toys. But it turns out they know the guy that bought the “Supernova 12”. That was Stephen’s last video synthesiser design, and is quite different to the “Fridge”, which is the one we used in Severed Heads.
Noting had been heard of it in years, when suddenly Ant got a mail to say, it exists, it needs some repairs, but if we can find a way to move it, it can come to the video lab. Which is kind of like when somebody says, ‘I found a box with MASTER TAPE written on it, do you want it?’.
In fact there was another Supernova based machine shown last year at Campbelltown. Maybe that can join its sister – I’ve asked the current user about joining in the project.
Stephen agrees that the Fridge does some things better – the SN12 is a bit more brutal, doesn’t have quite same range of expression due to the way the colour is mixed. But I’m more hopeful now that we will have something to show for this and perhaps some day as many as three of Stephen’s machines in the one space.