Saloon and Sales

This is interesting: http://www.salon.com/2012/06/20/steal_this_album_what_happens_if_no_one_pays_for_music/singleton/

Mostly because it’s being debated with a little more intelligence than the usual ‘all musicians are lazy and rich therefore FYGM’. Salon is a funny website. Sometimes you feel so damn relieved to be reading above the usual YouTube moron level. But sometimes the USA Progressive rhetoric is clumsy and shallow. I love the old socialist banter that went with the 70’s post punk bands, but I’m well aware that it didn’t get far past the first record contract. It seems that many of the Salon writers have yet to see it in practice and still have high abstract hopes. Bless them for wanting good for all, that’s a rare thing.

Back to paid music: Curiously the switch from CD to DRM-free download has gone well for me. Sevcom shop has almost reached the point where BandCamp will take a lesser cut, and this on material that has been out and about for years. But the audience are generally sticking with what they know.

It’s good to have statistics, actually it’s disillusioning – both negative and positive meanings of that combined. Biggest seller is City Slab Horror. Biggest download is Return To Barbara Island, although it had already done over 1,000 downloads from MediaFire in the old store. Free stuff will always win. But it emboldens me to make a another new thing and give it away. I have about 9000 free downloads banked up.

In the last two months looks like I’ve had a lot of new customers show up. Again, City Slab Horror, Bigot … one thing is that not everyone buys the entire Adenoids set. True, most of the tracks are in the first package. I just thought they’d be completists.

Now, where do they come from? About half direct dial BandCamp, which shows the virtue of this site. A fifth went to sevcom.com first; would be better if I was more active there. A tenth came from FaceBook; I have no presence there. ALMOST NO SALES COME FROM YOUTUBE. Having people post my music on YouTube does not assist me in any statistically valid way. So fuck that argument. Let’s have the image…

Love it.

BandCamp allows me to download everyone’s email addresses as a spreadsheet. If I was a good marketer I’d use that to push info at people, but I think I am a better friend to people by not doing that kind of thing. At some point I’ll just send them all a present.

What about iTunes? Well I don’t get too deep into those statistics but it’s basically about a thousand bucks of Dead Eyes Opened every time I get a payment. Yay… zzzzzzzzzz. iTunes is like when you buy a greasy kebab on the way home from the pub… being Dead Eyes.

This week I have to pop down to the Australian Broadcasting Corp. to talk hosting of [H.H]. I don’t think they’ll notice the hit but sensible men want to check bandwidth. I guess if you had a couple of hundred people bashing away at it on opening night and they all tried the same tape recorder it could be nasty, but shit, it’s the ABC.

Not much development on Cavalcade so far. Looks like we don’t have the Mandala systems we thought we did. Anyone got an old Amiga Live card lying around?

For Capra, I’m trying to 3D render a night time city flyover. All those little bright windows are causing the worst Moire pattern, wasted days on that.

As for Opmitter, don’t ask. I just switched over from Jitter to Derivative TouchDesigner. The desperate move of a drowning man!