A Serious Post

There has to be one every now and then.

Back in the 1980-90′s I used to go on the TV very occasionally and talk about the great things coming up in The Future. I predicted DVDs, buying online by credit card, music sites and CDROMs. It was fun to do and no great blunders apart from trousers.

Let’s say somebody asked me to do that now, what would I be able to offer? In the future …

… more of the same. Actually, bugger all. Wasteland. Which may be surprising – surely we are hotly anticipating new phones? I mean the iPhone 5 will have a bigger screen! (How did we ever get so obsessed about telephones?)

Create shipping lanes and people build ports. Create railways and people make stations. Create roads and people make service stations. Create phones and people make apps. Wait – surely there’s the main reason – to get from A to B? There is, but how often do you hear that discussed? The new iPhone – you can phone people with it! No, the discussion is about how you can make money setting up the equivalent of an Econolodge – The Angry Birds Inn. The New Economy is just the hot shots playing another level of Transport Tycoon (and you’re a Sim) and I ain’t gonna go on TV about that.

They build roads, you build houses. Rinse, repeat.

Before anyone thinks I’m saying that DVD represents a golden age of creativity I should clarify my disappointment with all the things I touted back in ye olden days. DVD can hold movies, music, pictures and interactive work. You can make a maze of animated menus and even semi autonomous music machines – I did. The format was very occasionally exploited and mostly when it was new. Blu Ray has similar potential, but that’s already sliding into rot alongside the railway stations in country towns. The Internet could be a place where people build a hive mind to solve world problems. It is instead a cesspit of bigots and YouTube comments. I don’t blame myself for being a pollyanna, but I’ve grown wiser.

Technology is an empty vessel. Transport makes money, always did. We passengers think that by travelling we are on a quest. But we’re not. We switch vehicles, but that’s not progress.

Education bears some responsibility for this. Over on one side you have people teaching complete voodoo like Lacan. Hey look at this meaningless diagram I made up! It explains how people watch movies! Here’s a bunch of jargon! On the other side you get people like me that teach how to hold a camera steady and make 3D robots and explosions. The two groups don’t talk much, except to point out each other’s bullshit.

Neither side is really taking care of the artistry, mainly because there’s not enough time. We also have to ignore the next industry standard tools in favour of finding the useful imperfections in the current one.

In the last few years I’ve noticed a steady decline in people wanting to study communications and a steady incline in studying public relations. My own courses are slowly evolving – less philosophy, more marketing. We still use cameras and I still talk about epistemology but instead of the student understanding what it means to manufacture Truth, they just want to know how to do it. Creativity has been shown worthless, something you download for a donation, something measured in Likes, something of which you can have 100,000 in your hand. To hell with creativity! A financier is worth a million balladeers! Who needs films anyway! The students are shifting their creative urges into something sensible.

There’s no point going on the TV and predicting the future coffins in which we will bury our artistic urges. They wouldn’t have me anyway.

Education is in a real mess. You can’t really teach art to hundreds of people in a room, and ‘blended online learning’ is no substitute for mentorship. You don’t get the time to think about what really needs to be said and it wouldn’t fit into the course as it’s been pre-sold. At some point I have to stop wasting my time. I’m currently agonising over keeping my job or doing my job, because it seems you can’t have both.

Keeping the job means running around trying to keep up the administration and research ‘strengths’ and remembering what the hell this week’s lecture was supposed to be about. Art gets done from about 9pm each night.

Doing my job means …

Currently not able to update, or read mail.

Well somebody thought the last post wasn’t funny.

Due to a suicide pact between two machines here and something going on in Seattle I currently cannot log in to my sites, nor can I read mail sent to me at sevcom.com

If you really need to contact me please use Ozemail or (if you really have to) UNSW Mail.

Put a penny in the slot and the gas is back on. Hot showers!

Top 10 ways to GET in TOUCH!!1

1. You have sent 99 mails but still no reply? Maybe I have not noticed! Email #100 is sure to grab my attention and get you a speedy response! Perhaps send 5 or 6 emails at once every day. Title them READ THIS!!!1 because I respond well when people yell demands at me.

2. May be an accident with a SPAM FILTER! By mistake I pushed the wrong button and blocked you – easy – just make a new email account and try sending from there! Maybe a new address every couple of weeks. You can probably find my work email and hit that as well, because I would never need that clear for any work stuff.

3. Oh no maybe I am thinking these are business letters. Attach funny pictures to the mails! Make them as big as you can sure to get big laffs! Oh and that MP3 of the track you hummed on the john last night it’s pretty cool. Just attach them, that media sharing thing is too hard to work out. You can get at least 20MB or more into every mail, the server won’t choke.

4. I am sure to want to know how you are doing today person-I-have-never-met! Tell me about what your budgie did today! Or maybe about how the hernia is holding up. After all, you bought a record I made 20 years ago so we are friends right! As for me, well I obviously have plenty of time, I mean I am musician or something and  just sit around all day waiting for mail. There could never be something more important going on.

5. Yeah, true it would be pretty cool if I came and played the old songs at your party for free. I’ll just gather up all the guys that haven’t died yet and fly right over. Wait – why don’t I dig up the corpses as well! When I next visit Canada I am sure welcome to your couch! That’s a tour right there.

6. Yeah that record you bought 20 years ago was real sweet it was the one you played to that girl that you used to like. Yeah did you ever tell me that? Don’t know if I might have made some music since then but that was your favorite. Did I ever do anything after that? Might get it off a torrent someday.

7. I must be a really wacky guy! I am sure to like it if you write really drugged out gone stuff! Like you were a real schizo! Make sure that the email has lots of WEIRD rambling artist stuff in it! Oh you are a wacky artist too! That’s great we are so in tune with each other now!

8. Absolutely I would drop everything if you were ever to come to Australia and just hang around showing you the sights. Because whatever I do now mustn’t involve any real workload or responsibility.

9. Maybe if you start making vague threats you can get a response. Just tell me how hurt you are that we aren’t bros and what you might do to make that happen. Nothing violent, just showing up on my doorstep unexpectedly with a surprise or posting the incriminating videos you have been recording in my bathroom for the last decade. But we are still in love, right?

10. This is the best one: write me a mail saying that I’m a prick and you aren’t gonna write me any more mails. Do that for years running.

 

The Joan Part 4: Technology works, technology delivers

Hey look, it works.

Click to biggen.

OK what have we here. On the left is a new DELL, because the poor old Fujitsu music laptop died in agony trying to hold the entire performance in 2Gb of RAM*. So we have an i7 with 4Gb RAM and Ableton Live. Every single instrument used in the gig has a discrete channel, which makes this into an 86 channel mix. There isn’t a beep that doesn’t have a fader of its own. The channels are grouped by piece so I can hide and reveal the needed columns. I can’t use scenes at the top of the grid because they are shared over pieces, so the first action each time is to go down to the bottom of the screen, launch a scene that sets up the BPM, silences any stray tracks, and sends off a trigger to VDMX. Then I can come back up to steer events from there. Once I’m confident about the workflow I can assign a key command to the setup scenes and not have to jump around.

On the right hand side is my workplace Mac running VDMX. There’s a media grid there with copies of each of the full videos so I can work out (a) the offset for the start, (b) which codec I am going to use (c) how the latest beta of VDMX has changed dammit. Once I get the basics sorted out I can divide up the videos into events so I can retime them, which frankly I don’t really want to do, because of the chance of chasing one’s tail.

The two sync over a Max patch where the PC sends out on a virtual MIDI cable to the Mac. It works over my network, for the gig I’ll set up a direct cable. Probably running on two Macs would be easier, but I doubt I could find an i7 Mac laptop for $700 at JB HiFi.

Codecs: the videos are being pulled off an external FW800 drive. I was making them all Apple Intermediate Codec, but I think I’ll be using Avid codecs instead as I can make them on the rendering PC, and I’m totally sick of Apple’s proprietary codec lock in bullshit. (Avid codecs are available as open source). Motion JPEG also looks pretty good.

Definitely the most complex set up so far. There’s a ridiculous number of synthesizers, samplers and effects all patched up; Reaktor, several copies of Absnyth, Max4Live granulators and plenty of Operators – so quite a lot of stuff to show the kiddies!

Feeling a bit like bloody Tangerine Dream. Stewart will like that.

* The Fujitsu has been a trouper and has been on the road for five years now, always starts up, always glitches without a glitch. Built with love, if you have been to a show in the last few years you’ve seen it working. It’s going to be my study machine now, bought it a copy of Office ($25 for academics) and Opus Creator. Happy retirement!